Erland is Erland Cooper, guitarist, singer and former resident of remote Orkney. The Carnival are guitarist Simon Tong (The Verve, Gorillaz, The Good, The Bad, The Queen) and drummer David Nock (Paul McCartney’s The Fireman). Together, as Erland & The Carnival, they make a pastoral, psychedelic sound described by Tong as “Pentangle meets Ennio Morricone meets Love meets 13th Floor Elevators meets Joe Meek.” In other words: folk-tinged, psyched up, fuzzed-out brilliance.

Erland grew up on the remote Orkney Islands of Scotland, where passing musicians and troubadours were a common sight. In his early teens, The Verve and Bert Jansch inspired him to swap the fiddle for the guitar. Later, having moved to London, Erland sang at Tong’s What The Folk club night on Portobello Road, where the producer Youth introduced him to the former Verve member. “It wasn’t a regular folk night where people are quiet and stroke their chin,” says Tong. “It was a more raucous affair where the acts – as many as 15 a night – had to quieten a noisy baying audience by being good. Erland definitely got people to shut up and listen.”

Resolving to form a band, Nock, Tong and Cooper took their name from Jackson C Frank’s My Name Is Carnival, a cover of which appears on the EP. The band’s progression since has been fairly unorthodox: they’ve played gigs at miniature railway stations and their debut EP was individually re-recorded for each of its limited run, meaning no two copies are the same. All the while, they’ve been developing that bewitching sound.

“The Carnival sound developed dramatically over a year of playing and demo-ing,” says Tong. “Originally we were more acoustic but gradually have got darker and more electric and psychedelic. There is a 1930’s book called The Circus of Dr Lao where a wild, fantastical travelling circus comes to a fictional small American mid west town causing social chaos and upsetting the usual way of life of the towns inhabitants, then eventually it leaves and moves on with the town in tatters. I see that as a good metaphor for us as a band to aim for.”

“Trouble In Mind” EP

In the grand folk tradition, The Carnival see literary and musical source material as something to be adapted, tinkered with, updated and blown apart. This new EP finds the band doing so with intelligence and grace. Take “Love Is A Killing Thing” for instance – it’s based on a traditional folk song collected by Ralph Vaughan Williams, but updated with a new bridge and a chorus from a Seeger/MacColl song. “Trouble in Mind” was loosely started as a blues track collected by Alan Lomax, though the shape of the finished song is unrecognizable from its source. The band added their own melody and lyrics, and even borrowed words from Bruce Springsteen’s “My Fathers House”, and inspiration from the Daphen Du Maurier book/Alfred Hitchcock film, Rebecca.

The “Trouble In Mind” EP was recorded at Studio 13 (owned by Tong’s The Good, The Bad, The Queen band mate Damon Albarn), overdubbed in Simon’s attic and Erland’s shed and mixed at the garden studio owned by renowned producer Youth. Keys/harmonium player Andy Bruce, vocalist Georgia Sands and bassist Danny Wheeler also appear.

Check out Erland & The Carnival’s “Trouble In Mind” http://bit.ly/erlandTroubleinmind

Erland & The Carnival Play New York: Tues. Nov. 2 – Brooklyn, NY @ Knitting Factory w/ Villagers Wed. Nov. 3 – New York, NY @ Mercury Lounge w/ Villagers Fri. Nov. 5 – Brooklyn, NY @ Rock Shop Sat. Nov. 6 – New York, NY @ Apollo Theatre w/ Paul Weller Sun. Nov. 7 – New York, NY @ Nokia Theatre w/ Paul Weller

Erland & The Carnival Online: For more information, contact: http://www.erlandandthecarnival.com Jessica Linker | Pitch Perfect PR http://en.wikipedia.org/wiki/Erland_and_the_Carnival jessica@pitchperfectpr.com, 773-271-6844